ArchivesSpace at the University of Iowa

The drawing is composed with small cursive writing. The shape of the drawing resembles a Henry Moore sculpture. It is depicted in Hatherly's exhibition catalogue "Hand Made" on page 10. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The glossy paper pages reproduce Walser's original texts. -- Source of annotation: Marvin or Ruth Sackner.

The ribbon around the bag is yellow. -- Source of annotation: Marvin or Ruth Sackner.

This is a photographic detail of a drawing held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Features calligraphic works of Italian and Islamic artists -- Source of annotation: Marvin or Ruth Sackner.

The handprinted text was written by Suarez Lodono in a stream of conscious fashion with words coming from songs, conversations and personal thoughts. The small center drawing is a portrait of an upside-down man's head with the word "amen." It is set into the center of the lines of text. -- Source of annotation: Marvin or Ruth Sackner.

The shape of the poem/drawing resembles plant-like forms. The text seems to be a series of questions. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of four stems with micrographic writing, leaf-like micrographic writing, and a background of calligraphic text. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of the linear, almost micrographic, handwritten ink text upon which two abstract figures executed in gray-black watercolor are superimposed . -- Source of annotation: Marvin or Ruth Sackner.

The loose sheets are reproductions of drawings that Susan Baron made for her exhibition in Chicago. On the envelope she has written the following message to the Sackners: "a few not great xeroxes of micrography from Chicago show coming up - charcoal & carbon pencil on paper mostly - lots of black birds = Kafka show = The Writing on the Wall. PLZ DO NOT BEND" -- Source of annotation: Marvin or Ruth Sackner.

The holder, a fabric object that is shaped as a valentine, reproduces a written booklet of Baker's lecture notes taken during the UNESCO textile workshop in Hanoi, Vietnam. The lecture notes are reproduced in the booklet as calligraphed, micrographic, shaped poems. -- Source of annotation: Marvin or Ruth Sackner.

The drawings in this exhibition are a result of a collaboration betweeen the two artists. -- Source of annotation: Marvin or Ruth Sackner.